At that point, you wish to take her aside and sympathetically ask, “Why, Tabu, why?”Ī line that Tabu keeps repeating in the film - almost as an SOS - is, “ Jab God ki marzi hoti hain, tab logic nahi sirf magic hota hai (when God wishes, there isn’t any logic but only magic)”. But she soon succumbs to Shetty’s tawdry cinematic style.
While all actors are at their embarrassing best, Tabu, as a librarian with superhuman ability to see ghosts, tries to lend some subtlety to her role. In the film, masculinity is defined by the ability to single-handedly fight a bunch of goons and Ajay Devgn’s temper is applauded as a heroic quality. But the worst of all is the glorification of heroism through violence and machismo. But in Golmaal Again, the characters throw each other in washing machines, twist fingers and set butts on fire.Įverything in Golmaal Again (with three exclamation marks) is an exaggeration to the power of ten. If you want to depict quarreling men who are brought together by a level-headed lady, you could do it in a dignified manner like the way Satte Pe Satta did back in 1982. There is nothing endearing about buffoonery which involves a group of grown men acting like nincompoops.
GOLMAAL AGAIN REVIEW SERIES
Unfortunately, what you are stuck with for two and half hours, is an unending series of gags that will make you choke on your popcorn with cringe and embarrassment. Obviously, the logic part is missing, but still if you want some logic, rather watch Discovery or.9 answers 15 votes: Well, Personally I did not like the movie.No logic is okay.
GOLMAAL AGAIN REVIEW MOVIE
If only Shetty mistook that for a plot line. It is a good entertaining movie with lots of comedy scenes. There’s a point in the film when the evil industrialist, who is eyeing the orphanage where the characters grew up, says, “ Mujhe sirf ek achche plot se matlab hai (I am only concerned with a good plot)”. Ask for a story line and you will get some more hackneyed ideas presented in a glittering and gaudy gift wrap. It has all the lazy cliches intended to make the film appear manipulatively family friendly and endearing: from an orphanage under attack to evil tycoons to a friendly ghost. The fourth part is all about that, except the back stories are not only painfully unoriginal but also overly saccharine. Storyline: Five friends try to save the orphanage they grew up in.īeing a franchise, the filmmaker had to at some point explore the genesis of the main characters and trace back their relationship with each other.Cast: Ajay Devgn, Parineeti Chopra, Tabu, Arshad Warsi, Tusshar Kapoor, Shreyas Talpade, Kunal Khemu, Prakash Raj and Neil Nitin Mukesh.